The motion is visceral but small-scale. The sound-world revolves around a series of ‘scrapes’, but there is a surprising detail and resonance, and the magnetic forces add a layer of complexity to what is a relatively simple system. The texture of the painted surface functions as a musical score that gets disrupted over time; this is akin to the grooves on a vinyl record. The work involves live algorithms, this means that magnetic/mechanical agency is augmented by machine agency, and all agents exert their influence in somewhat unpredictable ways.